Matt Silva Endstation Lynchburg

Matt Silva

Artistic Director

Matt holds an MA in Theatre from Villanova University and an MFA in Directing from Florida State University. Prior to serving as the Artistic Director of the company, he served as the director of past hit musicals Million Dollar Quartet (2017) and Hank Williams: Lost Highway (2016). Matt also serves as the artistic director for Playhouse Productions where he directs the national touring companies of WaistWatchers The Musical, Old Jews Telling Jokes, The Calamari Sisters, You Say Tomato & I Say Shut Up, Respect: A Musical Journey of Women, among others.  

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Chris Bailey Endstation Lynchburg

Chris Bailey

Managing Director

Chris Bailey is a proud native of Lynchburg, Virginia. A previous performer with Endstation, he has a BA in theatre from James Madison University. Previously he has worked as the Managing Director for the Virginia Theatre Association where now chairs the professional division on their board of directors. Before joining Endstation he worked with technoformance artist Natasha Tsakos on her upcoming project Billion Billions

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Krista Franco Endsation Lynchburg

Krista Franco

Scenic Designer & Production Manager

Krista Franco is a founding member of Endstation Theatre Company and serves as the Resident Scenic Designer and Production Manager. An Assistant Professor of Theatre Arts at Stetson University in Deland, FL, Krista holds an MFA in Scenic Design from Florida State University and a BA in Architectural Design from Clemson University.  Krista has worked as a scenic artist at Utah Shakespearean Theatre Festival, Goodspeed Musicals, and Yale Repertory Theatre.

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John Kiselica Endstation Lynchburg

John Kiselica

Resident Lighting & Sound Designer

John Kiselica is the Assistant Technical Director and Instructor of Lighting & Sound at University of South Carolina. A graduate of West Virginia University with a Bachelor of Fine Arts degree in lighting and sound design.  He has worked on a national tour, Buddy: The Buddy Holly Story, as the master electrician after a contract with Royal Caribbean International as a stage technician. Commercial theatrical work includes installing Prodigy Hoists, an automated rigging system from Electronic Theatre Controls. John continues to freelance design and provide consultation at professional theatres throughout the country in addition to his seasonal positions. Recent selected design work includes, Little Shop of Horrors, Million Dollar Quartet, Thoroughly Modern Millie, Whipping Man, The Mystery of Irma Vep and Oklahoma

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Aaron C. Thomas Endstation Lynchburg

Aaron C. Thomas

Literary Manager, Playwrights Initiative Supervisor

Aaron C. Thomas is assistant professor of theatre history and literature in the School of Performing Arts at the University of Central Florida. He received his PhD from the School of Theatre at Florida State University in 2012. Aaron is the author of Sondheim and Wheeler’s Sweeney Todd (2018). He has worked for Endstation since 2010, serving as the resident dramaturg and co-directing Our Town (2014). Since 2015 he has supervised Endstation’s Playwrights Initiative Residency Program. His criticism and historiographical work can be found in American Theatre, Theatre Survey, Theatre Journal, Theatre Topics, Modern Drama, the Journal of Dramatic Theory & Criticism, New Theatre Quarterly, and PAJ: Performing Arts

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Martha Reddick

Embark! Youth Theatre Conservatory Director

Martha Reddick earned a masters in Secondary Education from the University of Tennessee. While there, she was a member of the advanced ensemble and appeared in various professional productions at the Clarence Brown Theatre. She is currently a teaching artist in Chicago, balancing her time between education and acting. She is a company member of the St. Sebastian Players and a producer of a Harry Potter themed improv show.

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Leslie Cook-Day

Costumer Designer

Leslie Cook-Day(Costume Designer) holds an MFA from Virginia Tech and is a Virginia based designer and an Assistant Professor at Longwood University. She has been working in the field since 2003 for companies including Washington Shakespeare Company, Firehouse Theatre, Boston Lyric Opera, Signature Theatre, Washington National Opera, Wolf Trap Opera, and National Geographic Television. She is delighted to be back for her fourth season with Endstation.

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